12/30/2023 0 Comments Monica mcclure word writer![]() I’m still thinking through all of this, but it was by far my favorite piece at the conference. The project seemed at first to be about reading and the gaze and the female body, but became almost entirely about the audience, as Amber’s body became a text witnessing its own consumption. About not being lonely because one can find solace in talking about ideas with close friends. There were also passages about dancing in Mexico. No one knew they’d be reading about hard dicks and raw nipples. No one knew what kind of text they’d find. It was her first time experimenting with this specific idea, and every single audience member participated. She then stripped off her clothes for the panel and held a videocamera that projected live footage onto the screen behind her of audience members reading off of her body. We covered her entire body, including her face. Most of what we wrote on her was highly pornographic in nature. ![]() Raphael and I spent the morning writing on Amber’s body the answers to a survey she sent out about love, sex, and loneliness. Scott & Zelda Fitzgerald, Ezra Pound, Ernest Hemingway, &c &c &c.Īmber Bemak’s performance employed her own body as textual surface. Each of the letters addressed to “R,” signed by “S,” are composed out of a series of sentences I borrowed from the letters of modernist writers like Lorine Niedecker, Samuel Beckett, F. I recently wrote about the process of creating this project. The project considers how a body disappears into the desert to become nothing but a combination of text fragments appropriated from the love letters of other bodies, other writers, remixed in their absence. Footage completely absent of humans, accompanied by a disembodied voice over. I screened my film remix of personal footage of the desert spanning seven years and thousands of miles. Performances, readings, and screenings that made use of bodies both as the form and theĬontent of our projects, and that presented these bodies (or lack thereof) as remixed inĬonjunction with digital/video “texts.” The panel followed a narrative arc from complete absence of body to full embodiment via the following presentations: Our panel engaged with embodiment and disembodiment through a series of The panel was composed of me, my friends Raphael and Matt who are/were PhD creative writing students in my program at the University of Utah, and Raphael’s friend Amber, who he met while doing a writer’s residency in Mexico recently. On Friday afternoon, I moderated and participated in a panel I called (Dis)Embodiment: Digital Performance Remix.
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